Rising young soprano Madison Leonard joins the Washington National Opera this season as a member of the Domingo-Cafritz Young Artist Program where she sings High Priestess in Aida, The Rose in Portman’s The Little Prince, Morgana for the young artist performance of Alcina, and Zegner Sister 1 in Missy Mazzoli’s new opera, Proving Up as a part of the American Opera Initiative Festival. She joins the National Symphony Orchestra on two occasions: first with Music Director Gianandrea Noseda conducting Stravinsky’s Pulcinella as part of the SHIFT Festival and then again under the baton of Sir Mark Elder as soloist in Vaughn Williams’ A Pastoral Symphony (Symphony No. 3), sings her first performances of Fauré’s Requiem with the Apollo Orchestra in Washington, D.C., returns to the Florida Orchestra for Orff’s Carmina Burana, and sings on a program of music from the British Isles with New York Festival of Song at Caramoor and Merkin Hall in New York City. She also joins Dallas Opera for its production of Der Ring des Polykrates. The summer brings her return to Wolf Trap Opera for her role debut as Ilia in Idomeneo. Next season, she makes her debut and a return to Seattle Opera as well as one at The Glimmerglass Festival as well as returns to her hometown company, Opera Coeur d’Alene.
In the summer of 2017, she joined Wolf Trap Opera as a Filene Young Artist and sang Mahler’s Symphony No. 4 with the National Orchestra Institute as well as Madeline in Glass’ The Fall of the House of Usher and the Daughter in Glass’ The Juniper Tree. Other highlights from her 2016-2017 season include Susanna in Le nozze di Figaro with Amarillo Opera, Adele in Die Fledermaus with Opera Idaho, Rosina in Il barbiere di Siviglia with Opera Coeur d’Alene, and a concert of opera favorites with the Florida Orchestra.
With the prestigious Merola Opera Program in association with San Francisco Opera, she sang Monica in Menotti’s The Medium as well as Gretel in Hänsel und Gretel for the program’s annual Grand Finale Concert while also covering Norina in Don Pasquale. She is also a former young artist of Des Moines Metro Opera, for which she covered Nannetta in Falstaff and sang Musetta in scenes of La bohème. She has also sung Handel’s Messiah in Neenah, Wisconsin.
She is a a 2018 winner of the Middle Atlanta Region of the Metropolitan Opera National Council Auditions and will travel to the National Semi-Finals in March. Last year, she won the Idaho/Montana District of the same competition. She is a previous first place winner of the Houston Grand Opera Eleanor McCollum Competition. Additionally, she received the Women’s Voice Fellowship from the Luminarts Cultural Foundation and scholarships from the Lynn Harvey Foundation and the Musicians Club of Women. The soprano earned her Master of Music degree from Northwestern University and her Bachelor of Arts from Pepperdine University.