The Minneapolis Star Tribune praises tenor Joshua Dennis’ performances, exclaiming,“ he made his sincerity believable, and his voice, a robust tenor with baritonal heft, rose to the high climaxes with ringing, ardent bravado.” In the 2018-19 season, he makes returns to Santa Fe Opera as Frederic in Ruders’ The Thirteenth Child and Minnesota Opera for “Shoeless” Joe Jackson in Puckett’s The Fix, both world premieres. He also returns to Utah Opera as Roméo in Roméo et Juliette and Opera Idaho as Tony in West Side Story in addition to joining New Orleans Opera for Belmonte in Die Entführung aus dem Serail, Opera San Antonio in the title role of Faust. and Dayton Opera as the Duca in Rigoletto. Future seasons include returns to Santa Fe Opera, Arizona Opera, and the Las Vegas Philharmonic as well as his first appearance with the Phoenix Symphony. Additionally, the tenor makes his Asian debut in Huang Ruo’s Paradise Interrupted at the Taiwan National Kaohsiung Center for the Arts. Last season he returned to Minnesota Opera to debut the role of the Duca in Rigoletto, made his debut with Utah Opera as Greenhorn in a new production of Heggie’s Moby-Dick, and joined the Metropolitan Opera for its production of Così fan tutte. He also made his Los Angeles Philharmonic debut under the baton of Esa-Pekka Salonen as Monsieur Vogelsang in Der Schauspieldirektor and joined the Las Vegas Philharmonic for Handel’s Messiah.
He recently made debuts with Seattle Opera as as Alfredo in Konwitschny’s acclaimed production of La traviata, Minnesota Opera as Roméo in Roméo et Juliette, Michigan Opera Theater as Tamino in Die Zauberflöte, and Kentucky Opera as Belmonte in Die Entführung aus dem Serail. He has also sung Jaquino in Fidelio with Santa Fe Opera and the Houston Symphony, Alfredo in La traviata with Opera Columbus and Opera Idaho, Ferrando in Così fan tutte with Ash Lawn Opera and Opera Naples, the title role of Faust with Annapolis Opera, the title role of Werther with Opera Idaho, and Frederic in Pirates of Penzance with Eugene Opera. He joined Arizona Opera for Roy Dexter in the American premiere of Arizona Lady and returned to the company to create the Bern Venters in the world premiere of Bohmler’s Riders of the Purple Sage. On the concert stage, he has joined the Santa Fe Symphony on numerous occasions for Handel’s Messiah as well as for a concert of opera favorites. Additionally, he has sung Mahler’s Das Lied von der Erde in a special arrangement at the XXI Festival International de Piano en Blanco & Negro in Mexico and Dubois’ Les sept paroles du Christ in Lufkin, Texas.
The tenor is also a former Apprentice Artist Santa Fe Opera, at which he sang Serrano in La donna del lago, and Des Moines Metro Opera. He was a district winner and finalist in the northeastern region of the Metropolitan Opera National Council Auditions and National Association of Teachers of Singing Singer of the Year in 2011 and first place winner of the graduate division in 2010.
He holds a Bachelor of Music from Stephen F. Austin State University, at which his performances included Handel’s Messiah, Eisenstein in Die Fledermaus, and Sam in Susannah.
“Joshua Dennis, in his first Tamino, was ideal. Dennis sang with voluptuous, elegant tone in the tradition of Fritz Wunderlich, negotiating Tamino's occasionally perilous tessitura without any loss of warmth or grace.”
— Opera News